Listening To God: 51
Stepping Out Afraid. One Word 2022: Explore.
My hands shook as I grasped the metal bar next to the window tighter. “Why did you insist we come here if you are so afraid?” my husband whispered above the sound of the cable creaking above us. Our family was perched above the Malaysian rainforest, going ever higher by the moment. We ascended steadily on the steepest and longest single-span cable car in the world.
It was Christmas Day and everything about Langkawi was different than our noisy home in Dhaka, Bangladesh. I knew this was a chance we’d never have again and one that my husband and son were dreaming of, one that we would all remember forever. I wouldn’t let my fears hold us back, so I insisted we come. My daughter, ever cautious like me, reflected my anxiety over the height back at me and I gripped her hand tightly. “We can do this,” I insisted. We were rewarded richly for our courage when we reached the top. The light reflecting off the Andaman Sea, the views extending all the way to Thailand, and the lush forest below—they were worth every racing heartbeat.
I don’t remember always being this anxious. In fact, I remember being quite fearless as a child. As a dancer, I loved to perform. As Drum Major of the marching band, I reveled in winning first place in competitions and being the best. I remember feeling like there was nothing I couldn’t do. As I got older, I feel somehow, I got smaller. More unable to believe in myself. Less sure of my own opinions and gifts. I wanted to be liked. I wanted to be good. I wanted to do all the right things. And I grew afraid.
My adventurous spirit was never quelled, though, even by my fears. I want to see the world, every messy and beautiful corner of it. I want to taste it all and take it in. That’s hard to do cowering in the corner.
In 2021, the word “Dwell” chose me, and I tried to let it guide me to a place of settling, of home. Instead, it led me to dwell deeper in the heart of the God who unsettles us, who shakes us up and pushes us beyond what is comfortable.
This is my home, my place to dwell—in the mystery of the God who always keeps me guessing as to how he could speak into the life of someone like me. I finished the master’s degree I began so many years ago and thought was only a dream for me. We bought a house, and we took steps to put down roots after four years of constant transition. And yet it wasn’t a year of finished goals. It feels like it was only the beginning.
On the last day of the year, the sun tiptoed out from behind the rainclouds that had lingered all week. With trepidation, I descended the trail away from the Ignatius House where I had come to spend the morning in prayer. The soft ground gave way beneath my feet as I left the treetops to walk along the Chattahoochee River.
This river feels as if it has flowed along with me through the year, a companion on what was a frightening and exuberating pilgrimage. In the summer I ventured up to North Georgia twice. Once I went to spend the weekend with the friend that has known my struggles with my calling and my fears probably better than anyone since we were just girls in college; once with the man who has walked beside me on our moves me around the world and back (twice). Even raised going to these mountains, I had never floated down the Chattahoochee—a hallmark Georgia experience. I knew this was an adventure I needed to have.
Twice last summer I tubed down the river for hours. We slowly took in the sights and let our fingers linger in the cold, clear, spring water. In places it was so shallow you could scrape your hands along the rocky bottom. Other spots sent us squealing through rapids and that old familiar frenemy fear made my heart race as the rocks sent us reeling. On those weekends we sat next to the bubbling water and talked about the struggles of the pandemic, the unlikely places God has taken us, and being brave enough to walk on through the fear.
There at the retreat center in Atlanta, the river looked like a different one altogether. After flowing nearly 100 miles south of the mountains, through the city, its wide banks revealed a deep and muddy river that crawled by. It was the same water, but it had been completely transformed by its journey. It was no longer pristine. Yet wide and powerful, it was still surging on toward its destination, unscathed. Continue Reading
A Place to Dwell for Restless Hearts. One Word 2021.
My fingers lingered on the smooth contours of the olive wood carving as I placed it on the mantle. The faceless Mary and Joseph figures cradled a little bundle, a mystery they would watch unfold through their lives. Could they ever imagine what his life ahead would fully hold, where it would take them all?
As I decorated for Christmas, the house we had been living in for a little over a month started to take on the feel of home. Until then, it had felt like just another temporary living situation. That carving had seen more than its share of new places in the past few years. The year I brought it home from the little shop in Jerusalem’s Arab quarter it had its first and last Christmas in the house we then lived in.
We packed the Holy Family statue among our ten suitcases and carried it along with us through temporary homes—a basement apartment we occupied after we sold our house but before we left the country and then the flat of our new boss in South Asia as we scoured the city for a place to live. It was one of the few precious items that decorated our little flat in Dhaka for the next two Christmases. The year after we returned to the U.S., we put it up to decorate the friend’s house we lived in, but our hearts were still torn between continents.
We weren’t sure what home looked like anymore. We thought we would stay there a long time, like the other places we had ended up only passing through. We made plans to renovate that house and as we rebuilt our lives, we inched toward a feeling of belonging for half a year. Then, the pandemic threw the whole world into the kind of transition our family been experiencing for the past four years. We all occupied a kind of liminal space between the world we knew before and one that had yet to reveal itself. What would life look like on the other side of Covid?
As I stared down all the unknowns of 2021, I held onto the word “dwell” and longed to find a place where my soul could breathe again. I wondered if I could find a place in the in-between to flourish. I wrote, “Dwell: It is an invitation to live in the now and not-yet that is our life or faith instead of always chasing after the next thing, the answers, and the illusions of perfection. Can we sit awhile in this half-built house around us and stare out at the trees? Can we accept the mystery and be just where we are?”
The half-built house was metaphoric and literal for me. We had begun renovations that stalled and every part of me itched for something that felt whole. I had joined a new church that I could not yet feel a part of because we couldn’t meet in person. I enrolled in school, looking to finish the master’s degree in theology I had begun seventeen years before, not even sure what completing my studies would mean for me. I ached for feeling settled at last. My word was more of a wish than anything else. Continue Reading
Becoming Human. for the Mudroom.
As I flick on the switch, the tiny bulb meant to act as the star casts a warm glow over the scene below. “You have a lot of nativity sets, Mom,” my son comments after he helps set up the wooden, ceramic, hand-carved, and clay sets next to the snow globe manger scene and the stitched Kantha magi picture. I stopped counting how many baby Jesus figures adorn our living room come Advent-time every year. They have captivated me since I was a little girl, even before I knew who this baby in the creche even was. I just knew there was something strange and beautiful about this helpless babe that people revered.
What was attractive about a wriggling bundle of flesh? What power was there in this helplessness? It’s a mystery I still wrestle to answer every year as I gaze upon these nativity sets I have collected from around the world.
In the church, most of the year we contemplate the cross, what we more often see as the symbol of our redemption. But I find myself drawn more to the cradle than to the cross. We view the coming of the Messiah as a culmination of our salvation, but I think it’s just the beginning. The enigma of the life we live in and through the fully God, fully human Savior is something we work out with fear and trembling our whole lives.
The week before we unboxed our mangers, I sat at the computer for hours pondering all I had learned in the last three months during my final trimester of studies for my master’s degree in Practical Theology. We were tasked with writing a statement of faith, detailing what we believed about important doctrines like the nature of God, creation, and our eternal destinies. One question I spent more time on others is what the Imago Dei really means, what it says about us that we were created in the image and likeness of God.
Is it something about our physical bodies? Our capacity to reason? Our freedom to choose or to love? Our eternal nature? I read arguments from theologians and early church fathers arguing for each of these.
But the words I kept coming back to were ones I had heard months before when I spent a day hiking and praying at the Ignatius House in Atlanta. A quiet Jesuit priest spoke to a handful of us retreatants throughout the day about the spiritual exercises of Saint Ignatius of Loyola.
What stuck with me from that day is he didn’t speak about becoming more spiritual through these contemplative exercises but becoming more human. “We become human on our journey through this life and so become what God is like,” he said. It felt scandalous, blasphemous. I grew up hearing that our humanity was nothing more than fallen and sinful from birth, taught we should try to be more like God, less like us. Instead, he was telling us to live more fully into who God created us to be.
CONTINUE READING AT THE MUDROOM
Stepping Into the Beautiful Mess. for the Mudroom.
Perched on the balcony, like the Black and White Doel¹ that serenaded me from the windowsill in the spring, I watched over my little corner of the world. In the most densely populated city on earth, that one little intersection of Road Six and Safwan Road felt like a microcosm of humanity itself.
I would sit there with a steaming cup of coffee in my hand though the tropical morning humidity already made streams of sweat trickle down my back. The city had been awake for hours already—really it never slept at all. Through the night my family would be serenaded by the barking street dogs and dinging bicycle rickshaw bells. The construction trucks arrived in the early morning hours to dump more rebar and brick in the lot next to us for the ever-growing high rises.
Bangladesh, built on the delta that contains over 700 rivers, is a stunning display of God’s workmanship. Even in the concrete and brick mega-city, our flat was surrounded by green. Palms lined the streets, heavy jackfruit pulled branches down around us, and the bright red Krishnachura blooms fell to the ground like the snow the city will never experience. Humanity has complicated that beauty as more people pour into the city, away from the rising floodwaters, the ebb of jobs, and increasing poverty in the villages. When most people talk to me about the city I love, this is what they focus on.
The pollution that blankets the city in the winter and causes pounding headaches, the trash that lines the streets, and the steady protests that clog traffic makes Dhaka a less than desirable location for most. When we moved back to the U.S. I heard it everywhere: “Aren’t you so glad to be out of that place? It must have been so hard. I would never want to go there.” Every time someone says something like this, I can feel tears of defensiveness sting my eyes. In my mind, I still go back there often to that intersection. My heart swells with love for the beauty I found there, amidst the mess. Because of the mess. Because of the people.
That coffee in hand, for a few quiet moments I would watch the people, so many of them. The chatter of Bangla rising from the street never stopped as people called for rickshaws, yelled at friends heading to the University, or kids ran off to the English primary school down the street—its walls painted brightly with cartoon characters.
From where I stood I could peer directly into the nursery below, as early morning shoppers chose from orange marigolds and buckets of pink bougainvilleas to take home and grow on their balconies. Depending on the season I could see the children inside the small slum-house across from the nursery chasing chickens or running past the cow tied outside the gate. The day workers cleared their throats as they ascended the pile of red dust made from smashed bricks that they would add to the concrete mixer.
I would smile and wave at the nuns, their white shoes shuffling down the cracked street as they walked to the Christian counseling center next to the school. I wanted to smile at the men on their way home from morning prayers at the mosque but their white Topi-clad² heads never looked up at me, hurrying on into the day. The Ayah³ in the villa next to us would meet my gaze, though, as she pulled tight sheets over the rooftop clotheslines. I wondered what she saw when she looked at me. We were some of the only white faces visible in this part of town, far from the richer, diplomatic area in which a lot of foreigners chose to live. She would nod as she returned to her work.
As the heat closed in around me, I would leave the sounds of the city behind and return to the work awaiting me. Soon I would head down to the non-profit office just a couple floors below to write out stories about these people I loved. I would weed through reports from our village schools and news from our teams in the Rohingya refugee camps in the south of the country. I would stumble through accounts of other people’s lives, trying to figure out how to communicate to donors just how important their support was to the education and economic development of people they would never meet. I would pray that I could somehow honor the stories of people, let their own voices come through my words.
Today, I sit here two years after our return to the U.S. and twenty years to the day from the moment I felt God telling me to turn to love when so many around me were learning to hate. The day after the attacks of September 11, 2001 as I sat in an Arabic college class among my Middle Eastern classmates weeping that their religion had been turned into a weapon of terror, my heart shattered. It has been breaking ever since for the divisions we invent out of fear—the blinders we erect that keep us from seeing the glorious richness of what others have to offer us....
CONTINUE READING AT THE MUDROOM
The Practice of Dwelling in the Now (Not the Not-Yet). One Word 2021.
I sit in the place that will one day make up the center of my labyrinth. The leg of the chair teeters precariously between two pieces of gravel. It’s not yet the smooth surface of a path it will be. I try to imagine what this garden will look like then.
There will be a finished path to the front of the property, pots of flowering plants adding a splash of spring color to the morning. When I stand here in the future, I will see a budding rose bush and the flowering clematis vines climbing the retaining wall. It’s hard to see it now in the blurry morning light. I can’t quite grasp it.
It isn’t complete yet. In fact, it hardly looks like more than a mess right now. The prayer garden I dream of is, for now, a mound of gravel haphazardly deposited in the yard. The red clay beneath is freshly turned up, exposing the roots and weeds, tracks from the tires of the tractor, and earthworms squinting in the light of their unearthed tunnels.
One day, where I am sitting will be part of a path placed purposely here for the sole means of reflection, for a slow quiet look at God. In this spot in the middle of the winding labyrinth, there will be part of a path unfolding in front of me, and some of it already behind me. This will be the middle of the pilgrimage toward the center or back out again.
Today, I can’t close my eyes and imagine that picture – whole and complete before me. I only see the tools left in the yard from yesterday’s work, the rusting gas tank, the brambles, and the downed trees left behind after the land was cleared. Ugly things. Frustrating, unfinished things.
But I want to see something different and so here I sit. Continue Reading
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