For someone with a love of simplicity and order, I own an excessive amount of trinkets. A few weeks before our departure from South Asia, I packed some of them in a suitcase to send back with a friend returning to the United States. I lovingly wrapped the items as I pondered the most important things to go first.
In went a wooden Coptic cross from the church we attended while living in Egypt. I settled it next to an olivewood communion cup that once held juice outside the garden tomb in Jerusalem. They nestled next to the green, white, black, and red prayer beads secretly pressed into my hand by a Palestinian in Jericho when I spoke to him in broken Arabic, asking about his nation and his faith.
These items have lived on my dresser in Bangladesh, reminding me of the places that have made indelible marks on my life. They will return to a curio cabinet in America next to items that might be worthless in the eyes of others—things like sea shells from the island we visit every year with our closest friends, stones dug out of the Red Sea, a scrap of silk hand embroidered by a friend living in the largest slum in Asia.
My kids placed the beginning of their collections inside the bag as well: a bronze tiger for my son, a little wire rickshaw for my daughter. These things will sit collecting dust on dressers for years to come, surely. But they will also serve as a reminder of the land my children called home for part of their childhood.
This place will make a mark on them they won’t be able to name for years to come. One day, though, they will want to remember. They will need to understand why the smell of ginger and garlic paste simmering in a pan stirs something deep inside their hearts, something they can’t quite place.
When my friend told me the suitcase full of “souvenirs” went missing in transit—lost somewhere in Istanbul—I held back the tears and held my breath. Thankfully, a few days later, I learned it had safely arrived. They are just things, I know, but they are irreplaceable to me, because of the places and the stories they represent...
I don’t remember your name. I do remember your laughter, your patience when you helped me with my pronunciation of sounds that are difficult for the English-trained tongue.
I never saw you again after our college Arabic class ended but the look in your eyes has remained with me all these years—the fear and sorrow I saw there when your entire existence was reduced to stereotypes. I realized the distance between you and me was greater than I had imagined. It was September 12, 2001, and on that day the only thing people saw when they looked at you was the headscarf you wore. It’s still the only thing many probably see. But I saw you.
You were the friend of a friend and I could only speak to you through her translating. When I first saw you, we all looked the same under our colorful headscarves and baltos, the long, black dressed that covered our clothing. Over tiny cups of strong coffee, we were able to remove all that kept us hidden from the eyes of men on the streets. I laughed to find you in jeans and a tank top underneath, surprised at how young you looked though already a bride.
Years later, I still kept the small piece of knitting you gave me in the curio cabinet in my bedroom. I would touch the woven white and blue yarn and breathe a prayer for you. I would remember your story and the ancient smell of incense in your home. You were the second wife to a man you rarely saw, living a few apartments away from his first wife. You handed me a pile of knit pieces to choose from, evidence of just how much time you spent alone. The distance between us is many miles and I don’t know if your house in the war-torn Yemeni capital is even still standing. But I remember you.
You made me feel your home was mine. Every time I visited, you had a gift for me. Sometimes you would open your jewelry box and let me choose a bangle. I remember the way your voice would rise with as much passion when we talked about the Egyptian TV dramas you used to act in as when we discussed the differences in the Qur’an and Bible.
You shared all you had with me. You let me see your pain and you carried mine. You cried when we told you we were moving back to America. When you became our landlady, we had nothing in common. We were from different nations, religions, and generations. But I called you friend. I still think of you when your teal and red bracelets clink on my wrists...
I leave more than the stale air of a thirteen-hour plane ride behind in the airport bathroom stall. When I emerge into the terminal in Istanbul, I feel like a new person altogether.
I had walked off the plane still wearing the evidence of the life I left behind in Bangladesh. I wore a salwar kameez, the three-piece traditional outfit of my adopted South Asian home. The ample cotton dress, baggy pants, and orna (scarf) across my chest spoke clearly about the place where I had boarded the plane.
I place the salwar into my carryon bag and change into jeans I haven’t worn for a year. I feel a bit scandalous in these first few moments as I walk around with my backside and chest not covered by a second layer of clothing.
I observe people walking by, certain they too must think me inappropriate. When no one stops to stare, I peel off the grey sweater I had been clenching tightly around my chest. I had forgotten what it feels like to wear Western clothing. I push my shoulders back and notice my stride becomes a little stronger.
I love the colorful clothing I get to wear in Asia. I find dresses with my beloved paisleys and gold embellishments. I delight in bell-shaped earrings and bangles that tinkle as they move on my wrist. Not all foreigners who live where I do wear the local dress but on many occasions nationals have commented how honored they are that I respect their traditions.
Every now and then I notice though that I carry myself differently than I did in America. I make myself appear smaller, trying to disappear under my orna, when I walk past the staring men at the tea stalls. I avert my eyes from fruit sellers that I am not going to buy from that day and hunch over to watch my own feet navigating the cracked sidewalks and avoid the tail of another street dog. I feel small in a city of millions. I am someone else in that place, someone who doesn’t belong. Am I still me?
I was plunged unexpectedly into change when I booked a ticket back to America because of a family crisis. I am still reeling from the expediency of it all and from the newness I feel. Or is it oldness? Familiarity? I am someone again that I forgot I could be.
I hold my head higher and meet the eyes of men that pass by, nodding at them. In my hometown famous for its southern hospitality it is rude not to acknowledge passersby with a rhetorical “how are you?” or at least a smile. I quickly put back on my old self, appearing more outgoing, feeling more confident. I haven’t felt this bold in a year. It feels vaguely familiar and disturbing at the same time.
These thoughts swirl around my head along with the words I read just a few hours earlier as my body fought sleep in the plane cabin. “If to change clothes can be to change one’s sense of self; if to change clothes is to change one’s way of being in the world; if to clothe yourself in a particular kind of garment is to let that garment shape you into its own shape,” writes Lauren Winner in Wearing God, “—then what is it to put on Christ?”
I laugh at the instant real-life application of those words and I wonder at the authenticity of how I carry myself in my many worlds. Am I the same person to new friends in South Asia as I am to those who have known me my whole life in America? Do I live with the same honesty online as I do in my face-to-face friendships? I want to be a person of integrity, consistency. But I feel different here. Do I act differently too? Do I always reflect Christ? Or do I put him on and take him off like an orna? Do I clothe myself in him day in and day out or when it is convenient?...
I noticed the Krishnachura trees in early Spring. It was hard not to notice the fiery blossoms that colored the streets. Green is not hard to come by in this country. The reason the background of the flag is green is that this land of many rivers has an abundance of the color in its countless river deltas and rice fields. But the vibrant blooms of these trees is quite unique. They reminded me of the Bradford Pears of my beloved Georgia home. Like the Bradford Pear trees, I noticed this tree was full of blossoms for a short time and then the petals became a shower of red bursting forth in the wind and trickling down to the street below. I asked around and discovered the name of this tropic tree and enjoyed its blooms for a short while.
For months my heart has been downcast and so have my eyes. As my spirit fell low, my gaze followed. My walking can only be called trudging for the past few months. It wasn't my surroundings that brought the pain. I am no stranger to these feelings of anxiety. But in the midst of a downward spiral, I stopped seeing any beauty around me. The heat bearing down on me, the crowds pressing in, the broken sidewalks occupying my vision—I watched my feet going places I didn't want to be.
Last week I walked under the Krishnachura tree that looms overhead every time I walk to the market. I walk under it often but haven't really seen it in months. I felt a rare gentle breeze and I stopped to notice it again. Its red blooms have long since fallen off but it is still one of the most beautiful trees I've ever seen. It shades the entire street under tiny leaves that weave together to make a tapestry of color above me. In that breeze and in those leaves I felt the tingling tendrils of something else wrapping around my heart—joy. It was as if God was saying, "Hang on. It's coming like the cooler weather" (that is still three months off here). It was in those moments of the walk, when I looked up again, that I decided to do what I could to find my way back to joy step by step.
It is easy for me to only see concrete in this city. We are a good thirty-minute drive by public transportation to a decent stretch of land on which to play. I miss walks and playgrounds and riding bikes. And on hard days all I can see is overcrowded and unsafe roads that my kids can't play on. But on a good day, on a day in which I decide to look for it, I see green everywhere. In this city of 12 million people scrambling for any patch of land they can get and buildings going up on almost every square inch of it, there is still green everywhere. It is creeping through the sidewalks and up the side of buildings, hanging over verandas, and shading the streets. All this green is telling me that life finds a way no matter the surroundings, the difficult circumstances. Joy can find a way too. So today I'm looking up.
When we first moved I intended the "Life in South Asia" section of this website to be more of a fun section where I would write about culture or what I was learning, how I was listening for God in this new place. But life happened. Transition happened. I didn't write as much at first because—well, uprooting a whole family to the other side of the world takes a lot of time. Then I felt I needed to lay down my writing for a while. Then intense depression happened and my writing became much more serious. I felt the freedom to pick my writing back up and a responsibility to share what I was going through. I have had some incredible connections with people that have said, "Thank you! I know I'm not alone because of what you have written."
When I first experienced anxiety 12 years ago, (well, I am coming to see I have always had tendencies towards anxiety but didn't have a name for it until I was 25 years old) I thought it was just circumstantial. Life changed and my anxiety or depression dissipated for me. But then it reared it's head again during our move to the Middle East, again two years ago, and most intensely in the last year. I now know that like Lauren Winer says in Still:
"As far back as I can remember, anxiety has been my close companion, having long ago taken up residence in the small, second-floor bedroom of the house that is my body. Sometimes my anxiety takes long naps. Sometimes it throws parties. But I don't imagine it will ever tire of this neighborhood and move out for good."
I feel like I'm past the worst of it this time around. I want to say I'm "all better," that I see fruit and new life everywhere. Not yet. Grace P. Cho put the perfect words to the season I am currently in today:
"He is never annoyed with the slowness of transformation but always delights in the intricate care of redeeming burned things. And He is not done with us in the midst of fallow seasons...He burns away the old with fire and cultivates the land for the new things He is doing in our lives, allowing light and water to reach down deep, awakening and breaking open the seeds that have laid dormant before to thrive in the soil He has made good. What will come is a mystery, and we gain nothing when we rush into seasons we’re not ready for. So sit with Him, rest with Him, watch Him do His good and holy work while the land still lies fallow."
I am learning to be okay with this fallow season, trusting I've gone through the fire and that new life will come but that I am still in process. I'm asking for help. I am spending more time reading and seeking silence, working my muscles until they ache and feeling stronger on my mat every day. Playing. Praying. Working. Waiting. I am looking at my kids. Stopping and really seeing them. I see such beauty in my children, see God at work so much in them and in me as I mother them. They are helping me find my way back to joy.
For a while, I said I lost prayer during this season of fire and wilderness. I am realizing I didn't after all. It just didn't look like a daily examen or a war room or a prayer list, however you've come to expect prayer to look. As I read over my journals over the past few months, I see them as prayer. As I walk down the street to the market and notice the unfurling of the Krishnachura leaves and take a deep breath and thank God, I know it is prayer too (more about that one later this week). I am seeing God in things I haven't in a long time. I am noticing. As I walked slowly to the market today I stopped to take several photos. I heard Him speaking. I listened. I prayed "God, give me eyes to see what you want me to see and show me what you want me to share with others." I felt a long still stirring in my soul to write it all down...
So, I am finally getting around to writing here in a way that is less structured (as opposed to my essays for places like SheLoves Magazine and The Mudroom). I'll post pictures of things that speak to me and moments of finding God in the noise of this crazy city. In everyday beauty. I may notice five things a week and write about them. I may not see anything that inspires me for a while. I'll just take it as it comes. I am asking God to open my eyes to see Him in this season. There are ways I can see Him in South Asia that I couldn't anywhere else on earth. And I don't want to miss them.
So, from the land that is the contradiction and meeting place of 700 river deltas and also the most crowded city on earth - I am listening with you. This is where God is showing up for me in South Asia.