There’s something inside you waiting to unfurl. It is quietly growing beneath the surface. You can feel it gathering itself up, the momentum of its growth building. How it began is a mystery. What it will become is yet to be seen—even to you. But in its time, if you nurture it well, it will bloom.
“I understand now,” she said slowly. My mom sighed deeply and shook her head like she was trying to shake off the realization that had settled over her. “Seeing the way you interact with the people, seeing how you are here…” her voice trailed off as she gestured toward the old city street bustling locals and tourists entering shops. “You’re different somehow,” she finished after a pause. “You come alive,” she said as she placed her drink down on the table, every move deliberate as if the words pained her.
I wasn’t exposed to much diversity as a child in the middle-class Bible belt of suburban Georgia. I don’t know why this hunger had been churning and rumbling inside me or why it founds its place of rest and belonging the moment I stepped off a plane onto Asian soil.
I was twenty-one before I ever traveled outside the borders of America. It wasn’t for lack of trying before but my parents said no to that trip in high school and my college study abroad plans fell through. I couldn’t name this burning desire that had always been germinating inside of me. It longed to connect to something I couldn’t see—somewhere out there. As soon as I could pay my own way and had the chance, I was gone.
In the next ten years, I traveled to eight countries and lived in South Asia and the Middle East. I dragged my mom to Hindu temples and Bollywood movies. She came to watch my classical Indian dance performance and listened to me practice my broken Arabic with at the Lebanese restaurant where she warily tried shwarma. But she never connected with the cultures for which I had an insatiable appetite. I was growing in a direction that took me far away.
My first Bharata Natyam teacher explained my immediate aptitude for the complex Indian dance form as something I was born into. “You must have been a devadasi (Hindu temple dancer) in a past life.” My South Asian friends laugh sometimes at my ready acceptance of their culture—“Sister, you are more Bengali than we are.”
Fourteen years after my first steps outside of my home country, my mom and I sat together in a café tucked inside the ancient cobbled walls of the Arab Quarter of old Jerusalem. It was her first trip overseas in her adult life and my first chance to show her the world I loved. I knew the admission pained her, to say that she finally understood it, in her own way. It was a relinquishing of sorts—releasing me to something that threatened to take me (and my family) from her side...
I can’t tell you who helped me get to the University medical center or to hobble back to my dorm on crutches. I can’t recall exactly what the doctor said or much of the resulting physical therapy. But I can tell you the exact step I was trying to land when I, instead, found myself face down on the studio floor.
It was a sissone, a pretty basic ballet step that I barely gave a thought to after fifteen years of performing it. I should have effortlessly launched from two feet and landed on my right leg, my left gently gliding down to meet it. But my standing leg gave way under me dislocating my kneecap.
I remember that missed step often. When my son sits on my lap and my knee protest being kept in one position for too long—I remember. When my knee pops and my breath quickens, that flash of worry surfacing that today might be the day it decides not to hold my weight again—I remember.
I spent years being defined by my identity as a dancer. What I loved most about dance was the way I felt like I was transformed when I moved. I was still me, but stronger and freer. It was in those years of discipline, those years of devotion that I learned how to fly.
People who meet me now have no idea I studied dance through college. Mostly, I forget, too. I continued to study and perform as long as I could but I chose a different career path and after I started a family dance slowly faded out of my life.
There is little evidence of my years of study. But the pain remains years later.
The damage done in that split second of flying through the air without a thought for the consequences lingers in my joints. The dull ache is a physical reminder that tiny moments matter, that they ripple throughout our lives. It’s a reminder that years of choices matter, that they make us who we are and turning a corner doesn’t mean leaving all those old part of us behind.
I don’t believe in clean breaks. Wounds don’t just heal, leaving no evidence behind. Healing does come. But scars remain. Scars remind...
I leave more than the stale air of a thirteen-hour plane ride behind in the airport bathroom stall. When I emerge into the terminal in Istanbul, I feel like a new person altogether.
I had walked off the plane still wearing the evidence of the life I left behind in Bangladesh. I wore a salwar kameez, the three-piece traditional outfit of my adopted South Asian home. The ample cotton dress, baggy pants, and orna (scarf) across my chest spoke clearly about the place where I had boarded the plane.
I place the salwar into my carryon bag and change into jeans I haven’t worn for a year. I feel a bit scandalous in these first few moments as I walk around with my backside and chest not covered by a second layer of clothing.
I observe people walking by, certain they too must think me inappropriate. When no one stops to stare, I peel off the grey sweater I had been clenching tightly around my chest. I had forgotten what it feels like to wear Western clothing. I push my shoulders back and notice my stride becomes a little stronger.
I love the colorful clothing I get to wear in Asia. I find dresses with my beloved paisleys and gold embellishments. I delight in bell-shaped earrings and bangles that tinkle as they move on my wrist. Not all foreigners who live where I do wear the local dress but on many occasions nationals have commented how honored they are that I respect their traditions.
Every now and then I notice though that I carry myself differently than I did in America. I make myself appear smaller, trying to disappear under my orna, when I walk past the staring men at the tea stalls. I avert my eyes from fruit sellers that I am not going to buy from that day and hunch over to watch my own feet navigating the cracked sidewalks and avoid the tail of another street dog. I feel small in a city of millions. I am someone else in that place, someone who doesn’t belong. Am I still me?
I was plunged unexpectedly into change when I booked a ticket back to America because of a family crisis. I am still reeling from the expediency of it all and from the newness I feel. Or is it oldness? Familiarity? I am someone again that I forgot I could be.
I hold my head higher and meet the eyes of men that pass by, nodding at them. In my hometown famous for its southern hospitality it is rude not to acknowledge passersby with a rhetorical “how are you?” or at least a smile. I quickly put back on my old self, appearing more outgoing, feeling more confident. I haven’t felt this bold in a year. It feels vaguely familiar and disturbing at the same time.
These thoughts swirl around my head along with the words I read just a few hours earlier as my body fought sleep in the plane cabin. “If to change clothes can be to change one’s sense of self; if to change clothes is to change one’s way of being in the world; if to clothe yourself in a particular kind of garment is to let that garment shape you into its own shape,” writes Lauren Winner in Wearing God, “—then what is it to put on Christ?”
I laugh at the instant real-life application of those words and I wonder at the authenticity of how I carry myself in my many worlds. Am I the same person to new friends in South Asia as I am to those who have known me my whole life in America? Do I live with the same honesty online as I do in my face-to-face friendships? I want to be a person of integrity, consistency. But I feel different here. Do I act differently too? Do I always reflect Christ? Or do I put him on and take him off like an orna? Do I clothe myself in him day in and day out or when it is convenient?...
Now we see things imperfectly, like puzzling reflections in a mirror, but then we will see everything with perfect clarity. All that I know now is partial and incomplete, but then I will know everything completely, just as God now knows me completely. -1 Corinthians 13:12, NLT
I don’t recognize her anymore. Her short hair swoops across her forehead and her smile looks easy. She appears certain about her place in the world, about what lies ahead.
In the photo taken a year ago, she blends into her family. Their matching black shirts and denim say they are a unit, one. She’s like a puzzle piece that has always fit in a certain place, next to them.
When I look in the mirror now I see a different picture. My short hair was too hard to manage in the South Asian humidity so it has been growing out, now twisted in a little bun at the base of my neck. A headband has become a permanent fixture over what is too unruly. My cheeks are less full, the more natural diet I eat these days and the miles I walk around this massive city erasing some of the pounds I put on in the past few years. Any clothes I brought with me in our move stay relegated to the early morning hours before anyone might visit our house. After that I wear local clothes, a scarf draped across my chest.
I stand alone with sad eyes, a piece without a puzzle. I’m only part of a picture that once existed. I’m not her anymore. I’ve been reborn as someone else in this place.
I don’t recognize her anymore. Her eyes were hard and her mind was closed. She saw the world in white. She didn’t know a world of diversity existed out there. She saw the world in black. There was the truth and everything else, and she was to convince others of the right way.
In the photo taken twenty years ago, she stood opposed to her family (and a lot of other people). Her heart was in the right place but her methods were all wrong. She wanted to love but she didn’t know how.
When I look in the mirror now I see a different picture....
“A sacrifice to be real must cost, must hurt, and must empty ourselves. Give yourself fully to God. He will use you to accomplish great things on the condition that you believe much more in his love than in your weakness.” —Saint Teresa of Calcutta
After the tears finally stopped flowing, I scooped him up in my lap and looked him straight in the eyes. “You are wonderfully made,” I tell him. “You think mommy loves you? God loves you so much more. You are His masterpiece.”
It was only a small incident at school that set off my son’s meltdown. He was having trouble with personal space, as active five-year-old boys tend to do. But when he saw me, he melted into the tears of one grieved by a great failure, insisting he was bad. My heart broke as I saw shame in those heavily lashed chestnut eyes.
We talked a few minutes and he accepted the consequence of no technology with a, “yep, I deserved that” nod. He turned to go but I returned his gaze to me and said, “Now what are you to God?” He fidgeted and squirmed, suddenly uncomfortable in my arms. “No, I’m not a masterpiece,” he insisted. Finally, he conceded, repeated what he knew he should have said and ran off to play.
Left alone in the silence, I felt raw and exposed. I want to shelter him from the years I have spent shrouded in guilt and doubt. I want him to be firmly established in who God is and who he is as His child. Only a few years old, the world is already teaching him the same lessons it taught me: You are too weak to be good; You not enough; You’re not worthy. Were these tears that stung my eyes for him—or for me?
I devour the stories I read with my kids about God’s “never stopping, never giving up, unbreaking, always and forever love,” which are so different than the King James Bible I read as a child. I tell them about grace and love, trying to focus more on the motive than the behavior. But each time I tell them these things, I am telling myself. I have to preach grace to myself every day. Because my own weakness is all I have believed in for so very long ...