Perched on the balcony, like the Black and White Doel¹ that serenaded me from the windowsill in the spring, I watched over my little corner of the world. In the most densely populated city on earth, that one little intersection of Road Six and Safwan Road felt like a microcosm of humanity itself.
I would sit there with a steaming cup of coffee in my hand though the tropical morning humidity already made streams of sweat trickle down my back. The city had been awake for hours already—really it never slept at all. Through the night my family would be serenaded by the barking street dogs and dinging bicycle rickshaw bells. The construction trucks arrived in the early morning hours to dump more rebar and brick in the lot next to us for the ever-growing high rises.
Bangladesh, built on the delta that contains over 700 rivers, is a stunning display of God’s workmanship. Even in the concrete and brick mega-city, our flat was surrounded by green. Palms lined the streets, heavy jackfruit pulled branches down around us, and the bright red Krishnachura blooms fell to the ground like the snow the city will never experience. Humanity has complicated that beauty as more people pour into the city, away from the rising floodwaters, the ebb of jobs, and increasing poverty in the villages. When most people talk to me about the city I love, this is what they focus on.
The pollution that blankets the city in the winter and causes pounding headaches, the trash that lines the streets, and the steady protests that clog traffic makes Dhaka a less than desirable location for most. When we moved back to the U.S. I heard it everywhere: “Aren’t you so glad to be out of that place? It must have been so hard. I would never want to go there.” Every time someone says something like this, I can feel tears of defensiveness sting my eyes. In my mind, I still go back there often to that intersection. My heart swells with love for the beauty I found there, amidst the mess. Because of the mess. Because of the people.
That coffee in hand, for a few quiet moments I would watch the people, so many of them. The chatter of Bangla rising from the street never stopped as people called for rickshaws, yelled at friends heading to the University, or kids ran off to the English primary school down the street—its walls painted brightly with cartoon characters.
From where I stood I could peer directly into the nursery below, as early morning shoppers chose from orange marigolds and buckets of pink bougainvilleas to take home and grow on their balconies. Depending on the season I could see the children inside the small slum-house across from the nursery chasing chickens or running past the cow tied outside the gate. The day workers cleared their throats as they ascended the pile of red dust made from smashed bricks that they would add to the concrete mixer.
I would smile and wave at the nuns, their white shoes shuffling down the cracked street as they walked to the Christian counseling center next to the school. I wanted to smile at the men on their way home from morning prayers at the mosque but their white Topi-clad² heads never looked up at me, hurrying on into the day. The Ayah³ in the villa next to us would meet my gaze, though, as she pulled tight sheets over the rooftop clotheslines. I wondered what she saw when she looked at me. We were some of the only white faces visible in this part of town, far from the richer, diplomatic area in which a lot of foreigners chose to live. She would nod as she returned to her work.
As the heat closed in around me, I would leave the sounds of the city behind and return to the work awaiting me. Soon I would head down to the non-profit office just a couple floors below to write out stories about these people I loved. I would weed through reports from our village schools and news from our teams in the Rohingya refugee camps in the south of the country. I would stumble through accounts of other people’s lives, trying to figure out how to communicate to donors just how important their support was to the education and economic development of people they would never meet. I would pray that I could somehow honor the stories of people, let their own voices come through my words.
Today, I sit here two years after our return to the U.S. and twenty years to the day from the moment I felt God telling me to turn to love when so many around me were learning to hate. The day after the attacks of September 11, 2001 as I sat in an Arabic college class among my Middle Eastern classmates weeping that their religion had been turned into a weapon of terror, my heart shattered. It has been breaking ever since for the divisions we invent out of fear—the blinders we erect that keep us from seeing the glorious richness of what others have to offer us....
“No one is excused from the conversation. Instead of hate, we choose subversive joy and indefatigable faith. We hope for another way, for new paths forward, for healing truly to come to our land.” – Cara Meredith
For a long while I’ve excused myself from the conversation on racial justice in America. It’s not my place, I said as a white woman. I don’t want to overstep my bounds.
Living in the Middle East and South Asia, I involved myself in learning from my Muslim neighbors. Working in non-profits coming alongside local workers who are leading the way in issues of poverty, slavery, women’s rights, education—these were my chosen conversations. I spent my time immersed in the needs of the majority world, so I excused myself from taking a look in my back yard.
For the last year I have lived outside of the US and watched from afar as old divisions grow wider and discussions grow hotter and more hateful. And this feels like my life as a whole—watching from afar, not truly engaging.
But I have been watching. I’ve quietly widened my social media circles, the books I am reading, and the news sources I am taking in. I’ve written for a couple years for a magazine whose primary demographic is women of color and I have poured over the articles by the other writers, wanting to know. Wanting to listen.
Cara Meredith is one of those voices I’ve been hearing at the periphery of my life for the past few years, nudging me—telling me just silently watching isn’t enough. We met through common online writing circles and I’ve watched her journey and growth as a smart, engaging woman who is leveraging her voice and experience to call us all into new depths.
You see, Cara is married to a man whose father who had a pivotal role in the civil rights movement. She is a white woman who has chosen to walk into the conversation of race, not just out of love for her husband and sons, but because she has seen that it is her journey too. I knew all this when I read her new book The Color of Life: A Journey Toward Love and Racial Justice. I was ready to listen some more, to hear her story. What I didn’t expect was to see that it is my story, too.
I read her book in large gulps, enraptured. I was taken in by her personal story but then I was hooked by the history as well. As Meredith fell in love with her husband, she learned about the legacy of his father. I couldn’t believe I’d never heard the full story of this incredible man, James Meredith. Maybe his life was a blip on the radar of black history month, but his was never a story that I’d truly known before. I was ashamed of this.
“For too long I refused to let myself see history’s one-sided affair, listening to and learning from the stories of my past, stories told from the point of view of the oppressor,” says Meredith. These words echoed in my heart for weeks.
At the same time I was reading in The Very Good Gospel the account of a racial reconciliation pilgrimage Lisa Sharon Harper had taken part in. One of their stops was in Dahlonega, Georgia where the American government began passing laws in 1828 to strip the Cherokee of their land when gold was discovered in the north Georgia mountains. This led the way to the removal of “nearly forty-six thousand Cherokee, Chickasaw, Creek, Choctaw, and Seminole men, women and children. The illegal deportation cleared twenty-five million acres of land for white settlement, mining, and ultimately slavery.” I vacationed regularly in these very mountains as a child where some of my ancestors lived (and I know that some of my forefathers were, indeed, slaveholders). This was another story I’d never been told yet this is part of my history, my story.
As I thought about what I would say about The Color of Life, I knew it had to be my story. Another reason I’ve stayed out of the conversation is a common excuse: fear. What if I say something offensive? What if I make everything worse for people who have already been so wounded? But really, it is self-preservation. What if I am embarrassed? What if my own bias and ignorance shows?
Like Cara Meredith bravely told her family’s story and how she has journeyed closer toward reconciliation because she realized her place in the bigger picture, all of us have a place here in this story of our shared humanity. I hope I can find a place next to people like Meredith who say “I cry out against the chains of oppression because although we are equal in our status in human beings, we have not all been found equal in the eyes of society and in the eyes of each other.” All of us need to do what we can to understand our history…and our way forward toward truly seeing the image of God in all people.
If you aren’t sure where you fit in this conversation, if you aren’t sure why all this talk about race right now even matters—read The Color of Life. Meredith weaves theology and history into a compelling story with the humility and compassion of a mother struggling how to understand how racism will impact her own sons. This book is a place to start and especially if you are a white brother or sister, I hope it is a start indeed. We have a long way to go and we can only do it together.
Where do you consider yourself in the conversations happening today around racial justice? Where would you like to be? What obstacles do you need to overcome to get there? What motivates you to dive deeper?
How have stories you have heard shaped your views of racism? Do you feel you need to shift or broaden the narratives you are taking in?
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