They were the kind of sobs that you feel like rock your whole body in such a way that something must certainly shake loose from your heart. They were the kind of tears that feel like they reach back years in time, pulling up issues you didn’t know you were concealing. Those tears snuck up on me as I listened to “Six” from Sleeping at Last, the song Ryan O’Neal wrote from the perspective of an Enneagram six in his series of songs written to explore each type.
When I listened to that song I felt known and seen, like someone had crawled into my brain and saw what it was like to see the world through my eyes. But more than that, I felt like I was seen and loved anyway — like someone saw all my fears and said, “it’s okay. I know you’re broken you’re not alone.”
I had been late to the Enneagram trend on purpose. I avoided it exactly because it had become trendy in Christian circles. I didn’t want another fad; I longed for depth. I had been gravitating toward more contemplative and ancient practices of early Christianity for years and the Enneagram personality typing didn’t seem to fit (until I learned that the Enneagram is possibly 6000 years old).
It was my love for the works of Franciscan priest Father Richard Rohr (as I slowly worked through Immortal Diamond and then Falling Upward, both of which mention the Enneagram often) that finally made me say, “Okay, okay.” He talked about the Enneagram not as a personality test but as an indicator of why you think and act the way you do and a way to uncover your path to God
It was one of those moments when you say, “It’s so crazy how everything seemed to be pointing me in the same direction; it must have been God.” Everything I read or heard seemed to be leading me into discovering my True Self, about an invitation into a deeper knowledge of who God was and the discovery of who God had created me to be...
Life is not a matter of creating a special name for ourselves, but of uncovering the name we have always had. – Richard Rohr
My sense of the self I try to project, the name I hope to make for myself, started to unravel one day when I was deep in my own thoughts, walking down Road Number 5 toward the market. I reached into the chest pocket of the bag where I kept my small bills, a habitual response to the rhythmic cry of “Allah, Allah” from the lady hunched over by the mosque entrance.
She smiled her crooked smile and started to say a prayer of blessing for me when I felt eyes on me besides hers. Four men sitting across the street, prayer mats neatly tucked under their arms, had their gaze intently fixed on me.
Their stares following my every move jarred me out of my daze and I looked up around at the bustling street. My mind started racing and I felt a flutter of worry. What did they see when they looked at me; what did my interaction with this woman who was begging communicate about me? What about all those times I was in too much of a hurry to stop and walked right by someone on the street? People were watching then too.
After that day I noticed it everywhere like that tiny loose thread on a sweater that turns into a hole once you start picking at it. I would often get in a rickshaw that would turn down our street before I said the directions; most people knew where the white family lived. I became acutely conscious of the assumptions people made about me and knew everyone was watching.
I also noticed my reactions to the attention —the way I could craft what they thought about me by the local clothes I chose to wear or the kind of places I frequented. I knew just how to act to be what people expected me to be in my various identities: non-profit worker (do-gooder), a follower of Christ (devout), family member (devoted), writer (deep), and on and on.
But there were only a handful of people who really knew all of me. It felt terribly lonely.
All of our lives are on display everywhere. From the people who interact with us at stores and on the street, to our online profiles, and in our own homes, everyone is making assumptions about us. And we are busy carefully molding our identities in their eyes by the choices we make and the things we say, by the parts of us we allow to be seen and the parts we keep hidden. We’re busy making a name for ourselves...
My breasts and bottom were fair game for open discussion; I learned this early in life. I was small for my age and the youngest in my class so I was teased for being a “shrimp” and called “2×4” when other girls had already started to develop but I had not. “Just give Nicole two band-aids to cover up those mosquito bites on her chest,” a male family member joked. Everyone laughed while I died inside.
As I grew, so did the jokes. If I was too thin, I was mocked for not being enough. When my curves started to fill out and I worked hard in private lessons for a year to gain the position of drum major of my large marching band, it was still my body (and not my talent) that was on display. I was then seen as too much. Comments about my large bottom in my white uniform pants made me blush, but by then I knew this was just normal behavior. Family, friends, and strangers—anyone—had the right to comment on my curves and their proportion to what others expected me to be.
Before I’d barely begun to realize the difference between boys and girls, my admittance into the dance world sent conflicting messages about my sexuality. Dress it up in sequins and put it on display with high kicks and gyrating hips. It was normal for drunken men to gawk at my teenage body dancing at the Superbowl halftime show.
Hide it under a waif-like ballerina body, the carefully placed neckline, and perfect posture. It was normal for my friends to starve themselves for a role, to be the perfect combination of desirable but just out of reach. But always the message was clear – your body is ours to look at, to scrutinize, and to judge. It’s your weapon to wield. It’s our prize to view.
The church added to the messages my mixed-up teenage self kept hidden like the A-cup bra straps I needed to keep tucked away under modest clothing. I was told not to let my brother stumble but my brothers kept coming at me anyway. Their comments were acceptable. People laughed them off. But somehow I had to keep them at bay with longer hemlines.
The night I fell asleep next to a friend on the bus and woke up with his hand under my shirt, I pretended I was still asleep. I just let it happen because I was too ashamed to call my body my own, too naïve to know to call it abuse. It was just another normal step in a culture that gave others ownership of my sexuality but asked me to be its guardian...
There’s something inside you waiting to unfurl. It is quietly growing beneath the surface. You can feel it gathering itself up, the momentum of its growth building. How it began is a mystery. What it will become is yet to be seen—even to you. But in its time, if you nurture it well, it will bloom.
“I understand now,” she said slowly. My mom sighed deeply and shook her head like she was trying to shake off the realization that had settled over her. “Seeing the way you interact with the people, seeing how you are here…” her voice trailed off as she gestured toward the old city street bustling locals and tourists entering shops. “You’re different somehow,” she finished after a pause. “You come alive,” she said as she placed her drink down on the table, every move deliberate as if the words pained her.
I wasn’t exposed to much diversity as a child in the middle-class Bible belt of suburban Georgia. I don’t know why this hunger had been churning and rumbling inside me or why it founds its place of rest and belonging the moment I stepped off a plane onto Asian soil.
I was twenty-one before I ever traveled outside the borders of America. It wasn’t for lack of trying before but my parents said no to that trip in high school and my college study abroad plans fell through. I couldn’t name this burning desire that had always been germinating inside of me. It longed to connect to something I couldn’t see—somewhere out there. As soon as I could pay my own way and had the chance, I was gone.
In the next ten years, I traveled to eight countries and lived in South Asia and the Middle East. I dragged my mom to Hindu temples and Bollywood movies. She came to watch my classical Indian dance performance and listened to me practice my broken Arabic with at the Lebanese restaurant where she warily tried shwarma. But she never connected with the cultures for which I had an insatiable appetite. I was growing in a direction that took me far away.
My first Bharata Natyam teacher explained my immediate aptitude for the complex Indian dance form as something I was born into. “You must have been a devadasi (Hindu temple dancer) in a past life.” My South Asian friends laugh sometimes at my ready acceptance of their culture—“Sister, you are more Bengali than we are.”
Fourteen years after my first steps outside of my home country, my mom and I sat together in a café tucked inside the ancient cobbled walls of the Arab Quarter of old Jerusalem. It was her first trip overseas in her adult life and my first chance to show her the world I loved. I knew the admission pained her, to say that she finally understood it, in her own way. It was a relinquishing of sorts—releasing me to something that threatened to take me (and my family) from her side...
Surveying the damage, they can’t imagine life again after the storm. They can’t yet see the trees that will grow to replace those pulled up by their roots. They can’t picture anything flourishing again in this place of devastation.
Looking out at the endless sea of cars sitting on the interstate, I felt restless and foolish. What was usually a five-hour drive was now entering hour nine. Stretching my legs at the rest stop, I chatted with others fleeing the coming storm. Like me, they weren’t native to the Gulf Coast; I didn’t know one local person who was heeding the mandatory evacuation.
But when news of the hurricane barreling towards the Mississippi Coast hit the airwaves, the call came. My dad on the other end said, “Either you come now or I’m coming to get you.” The evacuation of everyone below I-10 included the little stilted guesthouse where I lived on the edge of the bayou.
I dutifully packed a few belongings. As I drove away I achingly looked back at the green live oaks tendrils framing my rear view mirror like fingers trying to pull me back. My friends laughed: “Yeah, she’s not from around here.” There were parts of me that wanted to defy my father and stay like everyone else. I believed it was safe to stay but my sensible, fearful side agreed with him. So, I ran.
It was a pattern set early in my life. When the storm clouds started to gather on the horizon, I took the path that promised to take me away from the squall. I don’t know why fear has always been my default. Broken relationships, abandoned dreams, and chances never taken out of fear were evidence of my cut and run tendencies.
I wanted to stay and ride out the storms. But time and time again, I didn’t believe I was strong enough to endure the floods. So, I ran.
That time I evacuated, the storm turned to the east (like most locals assumed it would) and ended up bringing heavy rains directly to my parent’s house, missing the Gulf Coast completely. Downed pines clogged the roads and made it impossible for me to return home for a few more days.
Less than a year later I said “see you later” to the sticky heat of the Gulf to return to Georgia. I lingered a moment, running my hand over the peeling paint of the living room of that little house I loved so deeply in the short time I lived there. I closed the slatted windows that let the salty air waft through the house, the crank creaking as it turned. I glanced at the pond to the right of my porch, hoping I’d see the leathery nose of our friendly neighborhood alligator rising out of the water one last time. The surface was like glass.
Little did I know I wouldn’t see that apartment again, nor many of the places I frequented in town. The next time I visited, I couldn’t even find the road where my first apartment by the beach had been located. Everything around it had been flattened in the wake of Hurricane Katrina and there were no street signs, no landmarks. Only destruction...