As I flick on the switch, the tiny bulb meant to act as the star casts a warm glow over the scene below. “You have a lot of nativity sets, Mom,” my son comments after he helps set up the wooden, ceramic, hand-carved, and clay sets next to the snow globe manger scene and the stitched Kantha magi picture. I stopped counting how many baby Jesus figures adorn our living room come Advent-time every year. They have captivated me since I was a little girl, even before I knew who this baby in the creche even was. I just knew there was something strange and beautiful about this helpless babe that people revered.
What was attractive about a wriggling bundle of flesh? What power was there in this helplessness? It’s a mystery I still wrestle to answer every year as I gaze upon these nativity sets I have collected from around the world.
In the church, most of the year we contemplate the cross, what we more often see as the symbol of our redemption. But I find myself drawn more to the cradle than to the cross. We view the coming of the Messiah as a culmination of our salvation, but I think it’s just the beginning. The enigma of the life we live in and through the fully God, fully human Savior is something we work out with fear and trembling our whole lives.
The week before we unboxed our mangers, I sat at the computer for hours pondering all I had learned in the last three months during my final trimester of studies for my master’s degree in Practical Theology. We were tasked with writing a statement of faith, detailing what we believed about important doctrines like the nature of God, creation, and our eternal destinies. One question I spent more time on others is what the Imago Dei really means, what it says about us that we were created in the image and likeness of God.
Is it something about our physical bodies? Our capacity to reason? Our freedom to choose or to love? Our eternal nature? I read arguments from theologians and early church fathers arguing for each of these.
But the words I kept coming back to were ones I had heard months before when I spent a day hiking and praying at the Ignatius House in Atlanta. A quiet Jesuit priest spoke to a handful of us retreatants throughout the day about the spiritual exercises of Saint Ignatius of Loyola.
What stuck with me from that day is he didn’t speak about becoming more spiritual through these contemplative exercises but becoming more human. “We become human on our journey through this life and so become what God is like,” he said. It felt scandalous, blasphemous. I grew up hearing that our humanity was nothing more than fallen and sinful from birth, taught we should try to be more like God, less like us. Instead, he was telling us to live more fully into who God created us to be.
Her intense gaze met mine, or so I believed. When she turned toward the audience the feathers of her tail responded in a dance of their own, winding around her slender form. She wasn’t a ballet dancer on a stage; she was the exotic bird, emerging from her cage to capture my imagination. Time ceased to be and nothing else existed but us, as something deep inside me stirred into movement while she danced.
From the moment I sat in front of the TV screen, enraptured by the peacock performing the Arabian Dance in the Pacific Northwest Ballet’s version of The Nutcracker, I begged my mom to let me take dance classes. I was only three and she figured I’d lose interest quickly; she was wrong. Dance filled my world and defined who I was. By the time I was in middle school, I was dancing five days a week and planning a professional dance career.
As a teen when I would bandage aching blisters or lose yet another toenail, my father would ask me why I continued to dance. If I complained, he would tell me I should quit. The years of endless classes, the aching muscles, the feet wrecked from pointe shoes—none of it mattered. I battled my body into submission to ballet. I kept chasing after the feeling I had as a little girl watching the exquisite ballerina. I wanted to capture that feeling again, to become what she was.
My winding journey with dance could fill a book. I lost hope in my dream and quit for a while, only to find myself weeping outside a ballet studio shortly after beginning college. I came running back to my first love, changing my major to pursue dance full-time. I kept fighting for the dream despite professors’ lack of belief in me, and traditional wisdom that said a career in dance was not a sustainable life. Every now and then I would glimpse a kind of transcendence: that fleeting moment on stage when a series of memorized steps becomes a moment when the rhythm flows within and through you. I didn’t end up pursuing that career; God took me in other directions, but the love never kept chasing me down.
My body knows the movements my mind can no longer name. It’s been years since I’ve taken a class but the patterns have been etched like deep grooves into my muscle memory. I can still go through the motions of a complete ballet class on days I can’t seem to call my children by the right name. The notes of a song will take me over and I can’t help but move with the music. It reminds me that I will never stop belonging to the dance; it is part of who I am.
Under the Christmas tree, I found the tiny book with golden-edged pages. My mom had sewn a lacy cloth cover to protect its delicate binding. Like I begged for ballet shoes, I begged for a Bible. I thought the answers to what I was searching for would lie inside. It became my icon, a symbol of a Jesus I wanted but didn’t understand. I longed to feel closeness with God and poured over the pages. No answers came.
I can’t explain the hunger I had for God early in life except to say that it was something borne in me. It wasn’t something I learned as a child. I have more vivid memories of hide-and-seek and MTV than I do of the church. I vaguely remember flannel graphs, Oreos, and tiny cups of juice the few times I attended Sunday school as a child. Yet it felt like there was something drawing me to this Jesus I heard and read snatches of stories about.
I don’t remember actually making the choice to go to the back of the room to pray with someone the first time I attended a youth group meeting with friends. The magnetism of the God I had been searching for drew me in, and I was hooked. I met Jesus that night, instead of only glimpsing him from afar.
I threw myself full-force into all the right moves. I memorized them like the exercises of the ballet barre. I learned the routines of a Jesus follower, giving myself to the tutelage of those who could tell me more about him...
They felt litter thicker than matchsticks in my hands; her tiny fingers seemed like they could snap in an instant. I was mesmerized by her smallness in my arms though her presence filled my entire life. As I held my firstborn in the dark of her bedroom, humming a song to her in the same rocking chair in which my grandmother had rocked my mother and my mother had rocked me, I wept.
I had waited for this for so long, to hold her in my arms. I loved her fiercely as she inhabited my own body, her bottom pressing against my ribcage as I tried to sleep. But now that I held this tiny thing completely dependent on me, I was overwhelmed with her fragility. Her life had just begun and already there was a fear gripping me, the reality that she would be hurt in this life and that one day this life would end. This beginning was the beginning of an end.
In every season of a growing life, there is anticipation and longing for what is to come next. Her life only started and we waited to see her roll over for the first time, for that first smile of recognition at seeing her daddy’s face. We watched for her first steps and looking for her first tooth to appear. The moments fly and they never stop coming whether we eagerly wait for them or resist with all our might.
We barely grasp one tenuous moment before the next is upon us. I can recall just what those precious matchstick fingers felt like in my own palm even now as I wait for her womanhood to begin, watch her hips grow wider and her innocence turns to adolescent anxieties. The beginnings she is experiencing signal the end of her childhood.
They are nothing more than figurines, these images of mother and child that I place around my house every December. I have been collecting nativity scenes for years, enamored with images of the Christ child and the Holy Mother since I was a child myself. Sometimes when I look at them, I can’t help but weep...
The Saturday of Holy Week must have been heart wrenching for the disciples and family of Jesus. Their dreams of the Messiah were crushed with His death and they hid in fear or the same fate. Though He had told them of His resurrection, they didn't yet understand. The stone in front of His tomb sealed their fates....or so they thought.