Richard Rohr 3
Finding Another Piece of the Puzzle (On Why I Jumped On the Enneagram Bandwagon). For The Mudroom.
They were the kind of sobs that you feel like rock your whole body in such a way that something must certainly shake loose from your heart. They were the kind of tears that feel like they reach back years in time, pulling up issues you didn’t know you were concealing. Those tears snuck up on me as I listened to “Six” from Sleeping at Last, the song Ryan O’Neal wrote from the perspective of an Enneagram six in his series of songs written to explore each type.
When I listened to that song I felt known and seen, like someone had crawled into my brain and saw what it was like to see the world through my eyes. But more than that, I felt like I was seen and loved anyway — like someone saw all my fears and said, “it’s okay. I know you’re broken you’re not alone.”
I had been late to the Enneagram trend on purpose. I avoided it exactly because it had become trendy in Christian circles. I didn’t want another fad; I longed for depth. I had been gravitating toward more contemplative and ancient practices of early Christianity for years and the Enneagram personality typing didn’t seem to fit (until I learned that the Enneagram is possibly 6000 years old).
It was my love for the works of Franciscan priest Father Richard Rohr (as I slowly worked through Immortal Diamond and then Falling Upward, both of which mention the Enneagram often) that finally made me say, “Okay, okay.” He talked about the Enneagram not as a personality test but as an indicator of why you think and act the way you do and a way to uncover your path to God
It was one of those moments when you say, “It’s so crazy how everything seemed to be pointing me in the same direction; it must have been God.” Everything I read or heard seemed to be leading me into discovering my True Self, about an invitation into a deeper knowledge of who God was and the discovery of who God had created me to be...
CONTINUE READING AT The mudroom
Don’t Be Afraid of the Unraveling. For The Mudroom.
Life is not a matter of creating a special name for ourselves, but of uncovering the name we have always had. – Richard Rohr
My sense of the self I try to project, the name I hope to make for myself, started to unravel one day when I was deep in my own thoughts, walking down Road Number 5 toward the market. I reached into the chest pocket of the bag where I kept my small bills, a habitual response to the rhythmic cry of “Allah, Allah” from the lady hunched over by the mosque entrance.
She smiled her crooked smile and started to say a prayer of blessing for me when I felt eyes on me besides hers. Four men sitting across the street, prayer mats neatly tucked under their arms, had their gaze intently fixed on me.
Their stares following my every move jarred me out of my daze and I looked up around at the bustling street. My mind started racing and I felt a flutter of worry. What did they see when they looked at me; what did my interaction with this woman who was begging communicate about me? What about all those times I was in too much of a hurry to stop and walked right by someone on the street? People were watching then too.
After that day I noticed it everywhere like that tiny loose thread on a sweater that turns into a hole once you start picking at it. I would often get in a rickshaw that would turn down our street before I said the directions; most people knew where the white family lived. I became acutely conscious of the assumptions people made about me and knew everyone was watching.
I also noticed my reactions to the attention —the way I could craft what they thought about me by the local clothes I chose to wear or the kind of places I frequented. I knew just how to act to be what people expected me to be in my various identities: non-profit worker (do-gooder), a follower of Christ (devout), family member (devoted), writer (deep), and on and on.
But there were only a handful of people who really knew all of me. It felt terribly lonely.
All of our lives are on display everywhere. From the people who interact with us at stores and on the street, to our online profiles, and in our own homes, everyone is making assumptions about us. And we are busy carefully molding our identities in their eyes by the choices we make and the things we say, by the parts of us we allow to be seen and the parts we keep hidden. We’re busy making a name for ourselves...
CONTINUE READING AT The mudroom
Remembering How to Fly. For The Mudroom.
I can’t tell you who helped me get to the University medical center or to hobble back to my dorm on crutches. I can’t recall exactly what the doctor said or much of the resulting physical therapy. But I can tell you the exact step I was trying to land when I, instead, found myself face down on the studio floor.
It was a sissone, a pretty basic ballet step that I barely gave a thought to after fifteen years of performing it. I should have effortlessly launched from two feet and landed on my right leg, my left gently gliding down to meet it. But my standing leg gave way under me dislocating my kneecap.
I remember that missed step often. When my son sits on my lap and my knee protest being kept in one position for too long—I remember. When my knee pops and my breath quickens, that flash of worry surfacing that today might be the day it decides not to hold my weight again—I remember.
I spent years being defined by my identity as a dancer. What I loved most about dance was the way I felt like I was transformed when I moved. I was still me, but stronger and freer. It was in those years of discipline, those years of devotion that I learned how to fly.
People who meet me now have no idea I studied dance through college. Mostly, I forget, too. I continued to study and perform as long as I could but I chose a different career path and after I started a family dance slowly faded out of my life.
There is little evidence of my years of study. But the pain remains years later.
The damage done in that split second of flying through the air without a thought for the consequences lingers in my joints. The dull ache is a physical reminder that tiny moments matter, that they ripple throughout our lives. It’s a reminder that years of choices matter, that they make us who we are and turning a corner doesn’t mean leaving all those old part of us behind.
I don’t believe in clean breaks. Wounds don’t just heal, leaving no evidence behind. Healing does come. But scars remain. Scars remind...
CONTINUE READING AT The mudroom
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